1. Film theory and semiotics: retrospective & prospect
电影理论和符号学：回顾和展望
（1）Dr Anna Dullaart , Chairperson of the AFDA Academic Standards Council ,gerda@afda.co.za
Men in Film: Having their cake or eating it?
（2）Sun Cheng, School of Film & TV Arts and Technology, Shanghai University , moderntimes2004@163.com
Transcendental Empiricism: Deleuzian Semiotics Referring to Cinema
（3）FENG Dezheng, National University of Singapore , fengdezheng@nus.edu.sg
The Multimodal Representation of Emotion in Film: A Social Semiotic Approach
（4）LIU Yung-Hao , Department of Radio, Television and Film SHIH HSIN University, Taiwan
Intertextuality and place in Wong Kar-wai’s Film
（5）Peng Baoliang, Guangdong University of Foreign Studies , peng_baoliang@yahoo.com.cn
Between Signifiers and Signifieds: the Zeugmatic Rhetoric and Laugh in “Let the Bullets Fly”
（6）Ding Shaoyan , Guangdong University of Foreign Studies
Cinematic Representation, Traumatic History, and Viewing Subjects ------ A Semiotic Analysis of Flowers of War
（7）Ding Yang, Guangdong University of Foreign Studies , 199910233@oamail.gdufs.edu.cn
Crouching Tiger, Hidden Dragon: Gendered Encoding of Martial Arts Cinema
（8）Germán Gil-Curiel, german.gc@mac.com
Dancing Tragedy: Alexander McQueen’s Aesthetics of Spectacle
（9）Ilias Yocaris, University of Nice， y.ilias@wanadoo.fr
LITERARY STYLISTICS AND FILMIC ANALYSIS : UNDECIDABILITY AND SEMIOTIC
CONTAMINATION IN LARS VON TRIER’S EPIDEMIC
（10）Anne Dymek , Université de la Sorbonne Nouvelle, Paris 3 , annedymek@gmail.com
Excess of emotions in filmic perception In which ways does filmic perception make possible an excess of sensational/emotional situations in comparison to natural perception?
（11）Dr Anna Dullaart , AFDA Film School – The South African School of Motion Picture Medium and Live Performance , gerda@afda.co.za
Men in Film: Having their cake or eating it?
（12）Zhang Xianmin , Beijing Film Academy , frankzxm@yahoo.com.cn
Viewing -- substance and equality
（13）Rokhsar Vakharia , Dept. of Sociology, Delhi School of Economics, University of Delhi
LEARNINGS FROM THE CONSTRUCTION OF THE CINEMATIC IMAGE: EXPLORING THE ALLIANCE OF HUMAN AND NON-HUMAN ACTORS
（14）Fang LU, The Dalian University, Dalian, China，shining_112@live.cn
The Semiotics Analysis for Generative Structure of Signification on the Chinese Animation ‘The Magic Aster’
（15）Javier Clavere , javierclavere@gmail.com
The Tango Affair: Hollywood’s Infatuation
（16）Jing Yang, Guangdong University of Foreign Studies , 199910233@oamail.gdufs.edu.cn
The White Savior Myth Now and Then: Pavilion of Women VS. Flowers of War
（17）Sun Cheng, School of Film & TV Arts and Technology, Shanghai University
Transcendental Empiricism: Deleuzian Semiotics Referring to Cinema
（18）王立新，重庆交通大学人文学院， wlx8200@sohu.com
从图解符号到多声部言说：中国电视剧影像修辞变迁
（19）Katre P.rn, University of Tartu, katre.parn@ut.ee
The Problem of Conditionality in Cinema
2. New Semiotics of Spectacle 戏剧的新符号学
Literature and Digital Communication 文学和数字通讯
（1）Dr. Félix J. Ríos, Universidad de La Laguna, www.semioticaes.es frios@ull.es
El arte de la interpretación en el mundo global
（2）Leticia Gomez , letgomez@gmail.com
La representación de la identidad cultural en La teta asustada de Claudia Llosa.
（3）María José Contreras, Lorenzini Pontificia Universidad Católica de Chile; Fondecyt de Iniciación N.11090155, Contreras.mariajose@gmail.com
Theatre of the real: the intersemiotic translative processes of emboding other’s memories
（4）Dr. Benito Cañada , Rangel Autonomous University of Querétaro, Faculty of Fine Arts, Mexico, bcanadamx@yahoo.com, benito.canada@uaq.edu.mx
The Improvisation in the Creation of the Personage: Methodological Process.
（5）Alejandro Urrutia, Latinamerican and spanish litterature at Mid Sweden University， alejandro.urrutia@miun.se
“Semiótica queer: la relación entre el las perfomances y las novelas de Pedro Lemebel”
（6）AJUMEZE HENRY, OBI DEPARTMENT OF THEATRE ARTS SCHOOL OF PERFORMING ARTS ACCRA, UNIVERSITY OF GHANA, LEGON , henjumez@hotmail.com
SEMIOTICS OF THE MASK: THEORISING THE DRAMA OF ESIABA IROBI
（7）Rosalía Ramos Guerra , rosalia.ramosg@gmail.com.
La literatura en la era de la comunicación digital Postpoesía y afterpop
（8）François JOST
Narrateur, commentateur, acteur : quand la série télévisuelle devient une performance
（9）José María PAZ GAGO
New directions in Semiotics of Spectacle
3. Music signifies: Style, Genre, Narrative
音乐意指：风格、类别、叙事
（1）Alma Rodriguez ENM-UNAM, Mexico City, almejita_sax@hotmail.com
The mental and verbal images as resources for conceptualization in musical performance
（2）Gražina Daunoravičienė , Lithuanian Academy of Music and Theatre , daunora@gmail.com
The Riddle of the Genres of Musical Compositions of the 20th – Early 21st Century from the Morphological and Phenomenological Points of View
（3）Huang Hanhua , geyalin0430@163.com
An Etymological Study of Signifier and Signified in Musical Semiotics
（4）Alla Ablova , University of Helsinki, ablova@mappi.helsinki.fi
Semiotics of the Stone: Concerning Research on a Lithophone from Karelia
（5）Julia Shpinitskaya, University of Helsinki , Julia.Shpinitskaya@helsinki.fi
Theory of Topics: an Application to Multicultural Texts
（6）Su Min , The College of Literature, Chongqing Normal University
Structure Formation of the Literary Symbol
（7）Mark Reybrouck
Deixis in musical narrative: musical sense-making between perceptual experience and its symbolic counterparts
17. Visual Arts and Semiotics （10）
视觉艺术和符号学
（1）Sungdo Kim Hoe-Chul Kim Seung-Hae Hong Korea University, South Korea
Some Semiotic Elements on the History of the Korean Typography: Towards for the Grammatology of Korean writing
（2）Wang Hanwei ,College of fine arts of Nanjing Normal University, 210097
The Fine Arts and Semiotics: Mainly on the study of the history of Chinese calligraphies and paintings
（3）Tania L. Gobbett
THE CLOCK BOOK OF SAN FRANCESCO IN THE GIOTTO’S FRESCO OF THE CATHEDRAL OF ASSISI A visual semiotic outlook toward a natural vision of intersemiotic translation
（4）Peng Lingling , 38957853@qq.com; Geng Yang
Metrical Structure in Decorative Chinese Folk Calligraphy
Howard Riley School of Research & Postgraduate Studies Faculty of Art & Design
Swansea Metropolitan University---applications of systemic-functional semiotics
（5）Owen Gallagher, National College of Art and Design, Dublin, Ireland , owen@totalrecut.com
Ideology in Critical Remix: A Visual Semiotic Analysis
MYTH IN WRITING AS FORM OF RESEARCH Making discourses on masterpiece’s description
（7）Il -Woo Park Department of English Language and Literature/Multimodal Analysis Lab, National University of Singapore ilwoo@kmu.ac.kr
Semiotic of Munjado
（8）Celia Rubina Vargas Catholic University of Peru
VISUAL ARTS AND SEMIOTICS
（9）Marga van Mechelen UVA
Understanding the migratory aesthetics of Chinese art practices in the era of globalization
5. Semiotics of Performance and Live-Arts
表演符号学与现场艺术
Abstracts To Be Submitted
6. Semiotic and Aesthetics: the Matter of Art
符号学与美学：艺术问题
（1）ROSA MARÍA RAVERA
Teniendo presente que la relación Estética y Semiótica nos proporciona valiosa ayuda para la comprensióndel arte, y en este caso del arte argentino, proponemos lo siguiente:
（2）MARÍA MÓNICA CABALLERO
Semiótica y Estética: la cuestión del arte en el cruce de las disciplinas: el entre: Condiciones de produccióny condiciones de recepción de la obra de arte.
（3）Lucrecia Escudero Chauvel Universidad de Lille III - Revista DeSigniS
